- String ensemble vs cinematic strings 2 mod#
- String ensemble vs cinematic strings 2 full#
- String ensemble vs cinematic strings 2 plus#
A low setting produces soft bowing with a slower attack than a high setting, which produces more forceful bowing. It enables you to control not just the volume but the intensity of the instrument, by blending several sample layers.
String ensemble vs cinematic strings 2 mod#
This is linked to CC 1 by default, and to produce the most realistic performances should be used in conjunction with a MIDI controller, using either the mod wheel of a generic device or the modulation strip on the Komplete Kontrol S-Series keyboards. With all five sections represented, it’s also possible to score accurately, exactly as you would with a program like Sibelius.ĭynamic Knob The performance controls are the dominant feature of the GUI, with a very large dynamics knob taking centre stage. With such a smooth sound, String Ensemble should be ideal for this. Film composers often use more than one orchestra, though, and layer them together in a single project. Do You Really Need This? If you are serious about writing for films and you don’t already own a full-sized string library, String Ensemble will serve you well. This results in a more realistic, true-to-life string orchestra performance, with a professionally arranged sound. The Auto Divisi engine (which is turned on by default) keeps player size consistent when performing polyphonic legato lines, chords, and phrases. This can be a little tricky to play, but a slider is available to set the velocity value below which the portamento is activated.ĭivide and Conquer All the sections for this track were recorded in two separate A and B parts, for an implementation of True Divisi functionality. When activated, the transition behaviour is controlled by velocity, with portamento kicking in on the lower velocities. Slide Away Legato is always a contentious subject when it comes to string libraries and we are pleased to report that it is well implemented in String Ensemble. It runs in both Kontakt and the free Kontakt Player.
Users of Komplete Kontrol S-Series keyboards can also use the pre-assigned performance controls.
String ensemble vs cinematic strings 2 plus#
A huge plus for many will be the Auto Divisi feature for distributing voices to smaller sub-sections. There’s a dedicated mixer page with parametric EQ, convolution reverb and compression, plus a choice of key switches or MIDI CCs that can be used for assigning articulations.
In keeping with this philosophy, String Ensemble provides a production-ready stereo mix, plus the ability create your own mix using close, mid and far microphone positions. Tool Up The Symphony Series’ rationale is, of course, to provide composers with a comprehensive toolset for creating realistic orchestral productions. Would Soundiron produce the upcoming string library, too, we wondered? Nope – it’s different strokes for different folks, and Audiobro, the producers of LASS (LA Scoring Strings) are behind the Symphony Series String Ensemble.
Both were developed especially for Native Instruments by Soundiron.
String ensemble vs cinematic strings 2 full#
Although Native Instruments has developed a vast number of sample libraries over the years, until recently, it has steered clear of a full symphonic library suitable for film scoring and other media use.īut suddenly, a few months back, it announced a new Symphony Series and released the first two libraries, Symphony Brass Ensemble and Symphony Brass Solo.